Review: Modern Vampires Of The City – Vampire Weekend

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Vampire weekend have, since their initial rise to fame, always differentiated themselves from other genres by disregarding the arrow of direction and instead adopting a spectrum of music to conform to. After two years of silence the band, with no deadline in mind, completed their third studio album ‘Modern vampires of The City’ which once again encapsulates the light-hearted, treble-loving sound that enabled ‘Contra’ and ‘Vampire Weekend’ to reach number one in the US charts. After selling 134 Thousand copies in the first week sales, the quartet have proceeded to tour the new album.

Renown for synthesizing  soundtracks, skinny jeans, and a gorgeous floppy perm you’d love become entangled by. Front-man Ezra Koenig, most know him for soothing the crowd with his ever so gentle voice, drifting and swaying like a river whilst trickling through the audience. The attraction to the band is evident, their world sound coinciding with the underlying satisfaction of adrenaline which courses your bones during the hook; no one ever sees it coming.. then BOOM! – and you are no longer, an ‘Unbeliever’.

The record consists of 12 thought-provoking, finger-tapping beauties, as you move from track-to-track you sift between bubbles and sponge as you softly maneuver through the album, only finishing at the decision that “it’s a wonderful world out there”. ‘Diane Young’, introduced to us in February earlier this year, quickly got the attention of music lovers as the the heightened-pace puts you in the front seat of Blackpool’s Pepsi-Max twisting and turning every corner at incomprehensible speeds, unwilling to question what comes next. After some internet debate, there are few who think the song-title is a phoneme for “Dying young” but the band have not responded with either of them as right or wrong. The second track off of the album, titled ‘Unbelievers’, if that doesn’t tickle your ear canal I don’t know what will. The feeling felt when listening to the last quarter of the song can only be compared to Sigur Rós’s masterpiece ‘Hoppipolla’. Other clean cut track include: ‘Everlasting Arms’ and ‘Hannah Hunt’ which feature roundhouse riffs, snappy drumbeats, high-flying vocals and with every song more intensely engaging than the next the album is as innovating as Vampire Weekend always are and I for one am content with the direction that band has taken.

Interestingly, the album artwork is a 1966 photo of New York taken by Neal Boenzi on the smoggiest day, which killed 169 citizens of New York – just saying.

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