Review: Mechanical Bull – Kings Of Leon

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The Followill brothers are back; after their break in 2011, new album ‘Mechanical Bull’ has beaten other artists like Jessie J and Drake to take the top spot in the UK charts after selling Seventy-One Thousand copies after just Seven days since the post-album release date. The album title once again follows the five-syllable tradition first recognized when the youngsters borrowed the structure from religious readings in their ‘Youth and Young Manhood’.

Since their production-gap in 2011, there has been plenty of internet speculation, usually die-hard fans suggesting and pleading that the “Real” Kings of Leon should come back. After their Radio hits ‘Use Somebody’ and ‘Sex on Fire’ – titles which always receive such cold reception when vocalized to those “Real” fans, who have never been quite sure whether Kings of Leon had ran out steam or were pushed by record producers.

The first track featured on the 11 piece rock monster is ‘Supersoaker’ which had, prior to the release of the album, displayed to us hopefuls that they were back in business. The rock-fast tempo takes us through a roller-coaster of high-energy emotion which is aided by Caleb’s pitch-perfect vocals to ensure the attention have been fully ascertained by the southern giants that are Kings Of Leon. Those classy riffs will take you for a drink and tickle the ear leading you onto the sentimental caricature painted by Nathan’s rumbling drums, the sweet sound of Matthew’s tasty hooks screeching throughout the audience and not to forget Jared’s bass lines which carries the bridge through to the last breathe of the crowd. Once arriving at ‘Rock City’ you quickly realize that your body has been overpowered by the raw intro riff which rips through the ear drum like a freight-train, slowly turning down the tempo to let Caleb’s pure vocals push through Matthew’s guitar-porn. After leaving ‘Rock City’ you venture into the past as ‘Don’t matter’ can only be compared to KOL classic ‘Molly’s Chambers’ where cocaine induced innovation began, the only slight difference is the drugs; which gives Kings of Leon a much cleaner sound compared to their earlier days. Similarly, they’ve kept the tastiest solo’s that are carefully churned out in such nonchalance, you’d think it was the backing-track.  The album also includes easy-listeners like ‘Beautiful War’ and ‘Temple’ which is a soft breeze which flows out the speakers like silk from a magicians sleeve holding your hand and letting you feast upon the melodic wonders of a four-piece super-band. Probably the most important song from the album ‘Wait For Me’ gives the impression that the band are finally back to where they were originally, which has given fans the fundamental confirmation that ‘It’s all better now’ – so thank you for waiting for me, it seems.

‘Mechanical bull’ has shown us once again that money and production value don’t make an album, the story and emotion is always a better influence and it feels as though they are genuinely happy with the outcome of the material and appreciate the fans reciprocation. It can easily be seen in the ‘Supersoaker’ video that all four member of the band have flourished whilst completing their sixth studio album; enjoying making the album, possibly being, their biggest achievement since ‘Aha Shake Heartbreak’.

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